Serv. Unexpected! I won’t go into too much detail about technical stuff here, but will give you an overview of the lenses performance: Distortion:Of all tested lenses Samyang has the strongest distortion. This is a subjective observation. Yes it will. Store #0906712 Elec. The new Rokinon Cine DS 50mm T1.5 Cine Lens is one of Rokinon's newly introduced 2nd generation of cine lenses under its CINE DS line. Finally, all lenses from this series print focus scales on both sides of the lens barrel for ease of use from each side of the camera. The VDSLR line of cinema lenses unifies Samyang's cine lenses into a cohesive series. Can this be used in rainy conditions? Its Low T-number gives better light gathering power and greater choice when it comes to selecting depth of field. If these Samyang VDSLR II lenses are identical to the Rokion DC cine lenses, it would be great if there were lens kits and more models, like the Rokinon DS line. The lens is also available for Canon EF, Nikon F, MFT and Sony A: HERE, We have an exclusive cinema5D deal for our European readers: (20€ off on any Samyang lens) LINK. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for … We close every Friday evening to Saturday evening for Shabbos. The iris however is not de-cklicked and the focus ring has to be upgraded with gears in order to use a follow focus. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, … Pricing and availability of either lens have yet to be announced. This difference will probably not be noticeable in HD. The 50mm T1.5 VDSLR AS UMC Lens for Canon EF Mount from Samyang is a fast, manual focus, prime lens. The 50mm T1.5 VDSLR AS UMC Lens for Canon EF Mount from Samyang is a fast, manual focus, prime lens. In terms of Cine it does offer the advantages of strong hard stops, a focus travel angle of about 180° and a manual iris. Overview. More about Photography. The new Samyang 50 mm T1.5 AS UMC Cine Lens will be … Samyang 50mm Cine Review – 50mm is the one missing focal length in the broad Samyang Cine Lens Lineup. Format: Full Frame, Lens Mount: Sony E NEX Mount, Lens Type: Standard, Markings: Feet, Meters Samyang 50mm T1.5 It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Cancel Search. Olympus EM5 III vs Sony A6600 Nikon Z50 vs Sony A6400 Sony A6600 vs Fujifilm X-T30 Sony A7 III vs Canon EOS R Canon 90D vs Nikon D7500. One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame. Vizelex EF-SONY E ND Throttle Adapter: https://goo.gl/GHMGtQSamyang 35mm T1.5: https://amzn.to/2LSr7g3Sony A7s: https://amzn.to/2XM82ypShure MV88 … The Rokinon Cine DS lineup has 3 primary advantages: 1) All of the gears are unified among all Rokinon Cine DS lenses. Breathing:Of all lenses Samyang seemed to me like the one with the least apparent breathing. Each VDSLR lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. The VDSLR MK2 set comprises 5 of the most-used focal lengths: 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. The Samyang 50mm T1.5 VDSLR manual focus lens can be used in cameras with image size up to Full Frame 35mm. Also, each lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. I would give the following ratings:Samyang 100%, Contax 95%, Canon 90%, Zeiss 20% distortion. XEEN is a range of video-cinema lenses which blazes a new trail in the professional lens market. The lenses produce the same image color and have a united location of aperture and focus gear ring to maximize the convenience when filming. The Rokinon line is the highest level of quality of image, finish and features that this lens manufacturer makes. Please enable javascript for your best B&H experience. We strive to offer our customers the easiest, most seamless shopping experience every day—using the latest technology and security measures. In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. The Samyang 50mm T1.5 VDSLR manual focus lens can be used in cameras with image size up to Full Frame 35mm. Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. Want regular CineD updates about news, reviews, how-to’s and more?Sign up to our newsletter and we will give you just that. The aperture control ring has also been de-clicked, which enables smooth iris pulls. Internal focusing system with 9 lens elements in 6 groups. There is very little color fringing when shot wide open. The VDSLR 50mm T1.5 MK2 is only 7.47cm (2.94″) in length and weighs just 525.8g (1.16lb). Both lenses are available for Nikon, Canon EOS, Pentax K, Sony A, Canon M, Fujifilm X, Samsung NX, … Sharpness:This is where the Samyang really shines. Certainly the Zeiss CP2 is a tank in comparison, offering extreme precision and optical accuracy. The new Rokinon Cine DS 50mm T1.5 Cine Lens is one of Rokinon's newly introduced 2nd generation of cine lenses under its CINE DS line. Will this lens fit and work with my Nikon D5200 ? Choose your Camera. The new Samyang VDSLR II 85mm T1.5 Cine Lens is one of Samyang's newly introduced 2nd generation of cine lenses under its VDSLR II line. SAMYANG 50mm T1.5 VDSLR II AS UMC Cine Lens Price & Specs Weight: 575g Dimensions: Diameter 81.6mm X Length 74.7mm Lens Construction: 9 Elements in 6 Groups Angle of View: 46.2 degrees on Full Frame Number of Diaphragm Blades: 8 Minimum Focusing Distance: 45cm Filter Size: 77mm Focus Type: Manual … See the optical comparison below. Hd. The 50mm T1.5 AS UMC Cine DS Lens from Rokinon is a fast manual focus prime lens. The Rokinon Cine DS lineup has 3 primary advantages: 1) All of the gears are unified among all Rokinon Cine DS lenses. What is the weather-proofing on this lens? When compared to the Zeiss CP2 50mm T2.1 Makro Cine @ T2.8 we see that the Samyang 50mm T1.5 Cine retains very slight chromatic abberation at the edges when stopped down, but becomes slightly sharper at the edges than the Zeiss lens. XEEN is a range of video-cinema lenses which blazes a new trail in the professional lens market. Comparing both lenses at T2.1 the Samyang has much stronger distortion while the Zeiss has only very little of this.On the other hand one of the characteristics of the Zeiss CP2 line is very strong vignetting when used wide open. Note that the version t1.5 is a cinematography lens. The 24, 35, and 50mm lenses feature a 77cm front filter thread. In addition, the XEEN lenses feature Multi-Nano-Coatings ensuring maximum image quality by minimising lens … This can be a nice effect but can also be regarded as a negative point about a lens. We told you that they were teasing about a new lens, and that the rumors said it was a 50mm. Vignetting:Of all lenses Samyang has the least vignetting when shot wide open. The 50mm T1.5 VDSLR AS UMC Lens for Canon EF Mount from Samyang is a fast, manual focus, prime lens. It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. The lenses should be listed soon at Adorama and B&H.Here is the full press release: Samyang Enhances Cine Lens Lineup with Updated VDSLR MK2 Range. These are the Samyang 50mm Cine’s advantages over a normal photo lens:• It has geared focus and iris control for follow focus and iris control.• The focus ring has hard stops on either end for accurate focusing.• The Iris can be controlled manually and is “de-clicked” / has no steps.• Full focusing ring rotation is about 160°.• Standardised front diameter of 77mm among most Samyang Cine lenses. The 50mm T1.5 is part of the VDSLR series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Not responsible for typographical or illustrative errors. These findings as well as the Cine attributes the lens brings make it a no brainer as to whether it is a good 50mm Cine lens for video work. See the image below for an optical comparison. Update your cinema lens set with this 50mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in a Sony E mount.

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