Say goodbye to Hollywood: In 2021 and beyond, movie production and consumption face a total rewrite. The cinema of South Korea refers to the film industry of South Korea from 1945 to present. Just like Hollywood, the South Korean film industry has flourished over the years. [37], In 2019, Bong Joon-ho's Parasite became the first film from South Korea to win the prestigious Palme d'Or at the Cannes Film Festival. Netflix has also entered Korea as a film producer and distributor as part of both its international growth strategy in search of new markets and its drive to find new content for consumers in the U.S. market amid the "streaming wars" with Disney, which has a Korean subsidiary, and other competitors. In C. Balmain (Ed. All of the films from that era have since been lost. [20], In the 1980s, the South Korean government began to relax its censorship and control of the film industry. The film was headlined by Lee Byung-hun. South Korean films have been heavily influenced by such events and forces as the Japanese occupation of Korea, the Korean War, government censorship, the business sector, globalization, and the democratization of South Korea. [19], Meanwhile, South Korean films began reaching international audiences for the first time in a significant way. American film studios have also set up local subsidiaries like Warner Bros. Korea and 20th Century Fox Korea to finance Korean films like The Age of Shadows (2016) and The Wailing (2016), putting them in direct competition with Korea's Big Four vertically-integrated domestic film production and distribution companies: Lotte Cultureworks (formerly Lotte Entertainment), CJ Entertainment, Next Entertainment World (NEW), and Showbox. The Asia Factor in Global Hollywood. Members of the film industry who tried to bypass censorship laws were blacklisted and sometimes imprisoned. As Soompi reports, just 25.8 percent of last year’s commercial films featured a female lead. With the increasing global success and globalization of the Korean film industry, the past two decades have seen Korean actors like Lee Byung-hun and Bae Doona star in American films, Korean auteurs such as Park Chan-wook and Bong Joon-ho direct English-language works, Korean American actors crossover to star in Korean films as with Steven Yeun and Ma Dong-seok, and Korean films be remade in the United States, China, and other markets. After all, the Korean blockbuster strives to emulate Hollywood while also demonizing it by casting it in the role of Other. It was the first South Korean movie to be released by business conglomerate known as a chaebol, and it paved the way for other chaebols to enter the film industry, using an integrated system of financing, producing, and distributing films. One of the most significant films from this era is director Choi In-gyu's Viva Freedom! [17][18] The tables below list South Korean films that have since won major international film festival prizes. According to Pil Ho Kim, Korean queer cinema can be categorized into three different categories regarding visibility and public reception. Hollywood movies try to allure the audience by showing lots of erotic scenes. Despite having a golden age in the 60s (and maybe 70s), Korean films never had as much of an impact on world cinema and never travelled internationally, as compared to now. A "Professional Notes" section informs Society for Cinema and Media Studies members about upcoming events, research opportunities, and the latest published research. Two stories to illustrate: in 1993, the Korean film industry's domestic market share was 16 per cent, a new low. In addition to government interference, South Korean filmmakers began losing their audience to television, and movie-theater attendance dropped by over 60 percent from 1969 to 1979. The film industry never recovered from this succession of blows – blows that kept coming with the likes of Sars and mainland China’s determination to push its own cinema. Queer Cinema. [5] One of the most significant films from this era is director Choi In-gyu's Viva Freedom! His film Gilsoddeum (1986) was shown at the 36th Berlin International Film Festival, and actress Kang Soo-yeon won Best Actress at the 1987 Venice International Film Festival for her role in Im's film, The Surrogate Woman. The new regulations also reduced the number of domestic film-production companies from 71 to 16 within a year. [23] One such blacklisted filmmaker, the prolific director Shin Sang-ok, was kidnapped by the North Korean government in 1978 after the South Korean government revoked his film-making license in 1975. [17], In 1967, South Korea's first animated feature film, Hong Kil-dong, was released. In case you haven’t already figured it out, anything that Hollywood can do, the Korean film industry can do too – and sometimes better. Aynne Kokas, the author of “Hollywood: Made in China” and a senior faculty fellow at the University of Virginia’s Miller Center for Public Affairs, said placing the film industry … The 10 Most Impactful and Best Asian ... - Hollywood Insider Can you tell the differences between Hollywood movies Chinese movies? [38] At the 92nd Academy Awards, Parasite became the first South Korean film to receive any sort of Academy Awards recognition, receiving six nominations. The Rise of South Korean Cinema: A Brief History of the Country’s Excellent Film Industry, What to Watch After ‘Parasite’ Les Almourzaev In addition to writing features and reviews for Hollywood Insider, Les provides guidance to up-and-coming writers of all backgrounds, as well as regularly reading for various local and international film festivals. Queer Cinema. In fact, both Silmido and Taegukgi were seen by 10 million people domestically—about one-quarter of South Korea's entire population. Cinema Journal [15], South Korean filmmakers enjoyed a brief freedom from censorship in the early 1960s, between the administrations of Syngman Rhee and Park Chung-hee. The term "queer" has its roots in the English language and although its origins held negative connotation, reclamation of the term began in the 1980s in the U.S. and has come to encompass non-heteronormative sexualities even outside of the U.S.[40] Thus, queer cinema in South Korea can be thought of as encompassing depictions of non-heteronormative sexualities. [41] While the characteristics that constitute a film as LGBTQ can be subjective due to defining the term “queer” as well as how explicit or implicit LGBTQ representation is in a film, there are a number of films that have been considered as such in Korean cinema. Additionally foreign aid arrived in the country after the war that provided South Korean filmmakers with equipment and technology to begin producing more films. The film was a major commercial success because it tapped into the public's excitement about the country's recent liberation. [6], South Korean cinema saw domestic box-office success exceeding that of Hollywood films in the late 1990s largely due to screen quota laws that limited the public showing foreign films. Government censorship targeted obscenity, communism, and unpatriotic themes in films. It won Best Picture, Best Director, Best International Feature Film and Best Original Screenplay, becoming the first film produced entirely by an Asian country to receive a nomination for the Academy Award for Best Picture since Crouching Tiger, Hidden Dragon, as well as the first film not in English ever to win the Oscar for Best Picture.[39].

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